Recording information: Abbey Road Studios, London, England; Allertown Hill, UK; Gang Studios, Paris, France; Germano Studios, New York, NY; Living Room Studios, Oslo, Norway; Officine Mechaniche Studios, Milano, Italy; Paradise Studios; Setai, Miami Beach, FL; Sing Sing Studios, Melbourne; Studio 301, Sydney; Studio Bus; Switzerland; The Mix Room, Burbank, CA; Tour Bus, Europe; Warehouse Productions, Omaha, NE. Creators: Nicola Formichetti; Nick Knight; Laurieann Gibson; Todd Tourso. Photographer: Nick Knight. Not long into the ceaseless promotional parade for Born This Way, Lady Gaga's second full-length record and easily the most anticipated record of the 2010s, a certain sense of inevitability crept into play. It was inevitable that Born This Way would be an escalation of The Fame, it was inevitable that Gaga would go where others feared to tread, it was inevitable that it would be bigger than any other record thrown down in 2011, both in its scale and success. Gaga has taken it upon herself to filter out whatever personal details remain in her songs so she can write anthems for her Little Monsters, that ragtag group of queers, misfits, outcasts, and rough kids who she calls her own. Whatever performance art shock Gaga had on The Fame/The Fame Monster has turned into pure theater. Her drama club ambition to marry rock & roll rebellion with her disco beats turns Born This Way into Like a Prayer by way of Bat Out of Hell. Gaga has chosen not to dig under the skin. She's quite content to state her themes then let them be, using them as the connecting thread on an '80s pastiche set to a relentless Eurotrash throb. Echoes of Whitney Houston, Pat Benatar, and Bruce Springsteen - whose longtime running partner Clarence Clemons blows sax on two songs - can be heard throughout, but it is naturally Madonna who is the cornerstone, giving Gaga the "Express Yourself" melody and a pop precedent for Catholic guilt. Lady Gaga knowingly recontextualizes the Material Girl fo.